She continued to draw praise for her performances in The Age of Innocence (1993), Wolf (1994), What Lies Beneath (2000) and White Oleander (2002), while producing several successful films under her production company Via Rosa Productions, including Dangerous Minds (1995) and One Fine Day (1996). She finally scored a major box-office hit as Sukie Ridgemont in the 1987 adaptation of John Updike's novel The Witches of Eastwick, with Jack Nicholson, Cher, and Susan Sarandon. Jun 4, 2016 - This Pin was discovered by Morgan H Small. She knew how to wear a strategically placed loincloth better than most. "[29], Pfeiffer was cast against type, as a murdered gangster's widow, in Jonathan Demme's mafia comedy Married to the Mob (1988), with Matthew Modine, Dean Stockwell and Mercedes Ruehl. Pfeiffer took the part of the Soviet book editor Katya Orlova in the 1990 film adaptation of John le Carré's The Russia House, with Sean Connery, a role that required her to adopt a Russian accent. [218] Ranking the actress among history's most beautiful actresses, Glamour named Pfeiffer "the most perfect face on the silver screen". [99] She next starred in Personal Effects (2009), with Ashton Kutcher, playing two grieving people coping with the pain and frustration of their loss whose bond spawns an unlikely romance. "[33] She won the BAFTA Award for Best Actress in a Supporting Role[34] and received a nomination for the Academy Award for Best Supporting Actress. "[179], Regularly cited as one of the most beautiful women in the world,[21][214][215] film critics and journalists have constantly discussed Pfeiffer's perceived beauty at length. In the Hitchcockian thriller What Lies Beneath (2000), Pfeiffer and Harrison Ford starred as a well-to-do couple who experience a strange haunting that uncovers secrets about their past. [84][85][81] In the former, a film adaptation of the Broadway musical of the same name, she starred alongside John Travolta, Christopher Walken and Queen Latifah as Velma Von Tussle,[86] the racist manager of a television station. [209] According to several plastic surgeons, Pfeiffer possesses some of the most sought-after and requested celebrity features. "[238], Australian cricketers speak of "getting a Michelle" when they take five wickets in an innings. actress. In the film, co-starring Johnny Depp, Eva Green, Helena Bonham Carter and Chloë Grace Moretz, she played Elizabeth Collins Stoddard, the matriarch of the Collins family. Pfeiffer received universal critical acclaim for the role, and her performance is consistently referred to as the greatest portrayal of Catwoman of all time by critics and fans alike,[48] and is also one of the best regarded performances of her career. The company allowed her to produce and/or star in films tailored for strong women. Just thinking about that tennis match puts a smile on my face. I also liked her in Scarface and Tequila Sunrise. "[208], Pfeiffer has long been described as one of Hollywood's most beautiful actresses,[91][209][210][211] a designation The Daily Telegraph's Mick Brown considers to be both a defining characteristic and a curse. [101] The Times of London reviewed the film favorably, describing Hampton's screenplay as a "steady flow of dry quips and acerbic one-liners" and Pfeiffer's performance as "magnetic and subtle, her worldly nonchalance a mask for vulnerability and heartache". Michelle Marie Pfeiffer (/ ˈ f aɪ f ər /; born April 29, 1958) is an American actress. Of all cinema’s great casting combinations, it’s hard to find one more fabulous than Cher, Susan Sarandon and Michelle Pfeiffer in George Miller’s cult classic The Witches of Eastwick (1987). Marks Michelle Pfeiffer's Latest Big Screen Comeback", "Darren Aronofsky: mother! Jan 7, 2020 - "Sukie Ridgemont", better known as Michelle Pfeiffer, starred in the supernatural movie, The Witches of Eastwick. [229] Pfeiffer claims to not want to appear younger than she is and has yet to undergo plastic surgery, although she admits she would "never say never" to the procedure. [6] Her paternal grandfather was of German ancestry and her paternal grandmother was of English, Welsh, French, Irish, and Dutch descent, while her maternal grandfather was of Swiss-German descent and her maternal grandmother of Swedish ancestry. [173] According to Rachel Syme of The New Yorker, such characters were often "both ditzy and wily, high-femme and high-maintenance, scrappy and ... armed with claws". There's a gravity to Pfeiffer's performance that allows her to succeed where the other main actors fail, save for brief spurts — she straddles the boundaries between embodying a symbol and granting the character enough interiority to feel like a flesh and blood woman, too. [264], She received a Canadian Screen Award nomination for Best Actress at the 9th Canadian Screen Awards in 2021, for her work in the film French Exit. Her performances in Dangerous Liaisons (1988) and The Fabulous Baker Boys (1989) earned her two consecutive Academy Award nominations, for Best Supporting Actress and Best Actress, respectively; she won widespread acclaim and the Golden Globe Award for Best Actress in a Motion Picture – Drama for her portrayal of former escort and lounge singer Susie Diamond in the latter. Even when she is the most talented person on-screen (and she usually is), she still allows room for the ensemble to shine. [3] She has one elder brother, Rick (born 1955), and two younger sisters, Dedee Pfeiffer (born 1964), a television and film actress,[4] and Lori Pfeiffer (born 1965). Chéri premiered at the 2009 Berlin International Film Festival, where it received a nomination for the Golden Bear award. Susan Sarandon has claimed that Cher once stole her movie role.. Sarandon, 74, says she had signed on to play the role of Alex in 1987 film The Witches of Eastwick… your own Pins on Pinterest In the parlance of the industry, she is hot. I happen to think she's extremely talented, unfairly underrated, and a fine actress. While she continued to act steadily throughout the decade, she and her producing partner Guinzburg experienced a winning streak of producing back to back films next under their Via Rosa Productions header. Jun 20, 2014 - Michelle Pfeiffer, Cher and Susan Sarandon in The Witches of Eastwick Today she is 74, and has starred in 125 movies in total, 96 since The Witches of Eastwick was released.. How old do you think she looks in the movie? While Mother! So, when I see or hear vintage-era Benatar now, I think of Fast Times , but mostly I remember that ubiquity—of both the performer and her legion of young imitators. [239], While taking acting classes in Los Angeles, Pfeiffer was taken in by a seemingly friendly couple who ran a metaphysics and vegetarian cult. [95], Pfeiffer starred in Amy Heckerling's romantic comedy I Could Never Be Your Woman (2007), with Paul Rudd and Saoirse Ronan,[96] portraying Rosie, a 40-year-old divorced mother working as a scriptwriter and producer for a television show who falls in love with a much younger man (Rudd). "[24], Following Scarface, she played Diana in John Landis' comedy Into the Night (1985), with Jeff Goldblum, Isabeau d'Anjou in Richard Donner's fantasy film Ladyhawke (1985), with Rutger Hauer and Matthew Broderick, Faith Healy in Alan Alda's Sweet Liberty (1986), with Michael Caine, and Brenda Landers in a segment of the 1950s sci-fi parody Amazon Women on the Moon (1987), all of which, despite achieving only modest commercial success, helped to establish her as an actress. She achieved further success with films like The Witches of Eastwick (1987), Tequila Sunrise (1988) and Married to the Mob (1988), for which she was nominated for her first of six consecutive Golden Globe Awards. For the role, she trained in martial arts and kickboxing. She asked her best friend Kate Guinzburg to be her producing partner at the company. It's this really kind of sexual scene; it's amazing. Marilyn's husband at the time, the extremely old fashioned Joe DiMaggio, stormed off th, This series looks back at the 1990s and its influence on the generation of people who came of age during the decade. In 1992, Pfeiffer starred as Selina Kyle / Catwoman in Batman Returns, one of the most admired portrayals of the comic book character, while receiving her third Academy Award nomination for her performance in Love Field. It's hard not to cringe, watching this emotionally ready actress fling herself headlong into false material."[77]. [257] Her charity work includes as well her support for the Humane Society. Celebrates the Star's Milestone Birthday With Photos Through the Years", "Michelle Pfeiffer Is the MVP of Mother! The first film the duo produced was the independent drama Love Field, which was released in late 1992. [46][47], Pfeiffer took on the role of Selina Kyle / Catwoman in Tim Burton's superhero film Batman Returns (1992), opposite Michael Keaton and Danny DeVito, after Annette Bening dropped out due to pregnancy. [35], Pfeiffer then accepted the role of Susie Diamond, a hard-edged former call girl turned lounge singer, in The Fabulous Baker Boys (1989), which co-starred Jeff Bridges and Beau Bridges as the eponymous Baker Boys. [233][234] Joy told reporters that the Pfeiffer film moment which led him to include her name in his song was her portrayal of Selina Kyle in Batman Returns. "[58] Wolf was a commercial success, grossing US$65 million (equivalent to $112.1 million) at the domestic box office and US$131 million worldwide (equivalent to $226 million). "[179], In 2002, Amy Longsdorf of The Morning Call dubbed Pfeiffer "one of the most popular and critically acclaimed movie stars in the world. ", "Murder on the Orient Express Mostly Stays on Track", "Others sent to back of train in Branagh's 'Murder on Orient Express, "Murder on the Orient Express Is a Mild Ride", "A successful new stab at 'Murder on the Orient Express, "Michelle Pfeiffer in Talks to Join Angelina Jolie in 'Maleficent 2' (EXCLUSIVE)", "Disney's Meet the Fockers-esque Maleficent: Mistress of Evil casts the laziest kind of spell", "Review: 'Maleficent: Mistress Of Evil' Resembles The Offspring Of An Unholy Union Between 'Gargoyles,' 'Aquaman' And 'Avatar, "Angelina Jolie and Michelle Pfeiffer magnificent in 'Maleficent: Mistress of Evil' (review)", "Michelle Pfeiffer to Star in Azazel Jacobs' Dark Comedy 'French Exit, "Sony Pictures Classics Acquires Azazel Jacobs' 'French Exit' Starring Michelle Pfeiffer & Lucas Hedges", "Michelle Pfeiffer, Lucas Hedges, Tracy Letts Join 'French Exit' Comedy", "Interview: Michelle Pfeiffer on 'French Exit,' her new business and what she hated about the Catwoman costume", "Nominations for the 78th Golden Globe Awards (2021) Announced", "Annette Bening & Michelle Pfeiffer Team For Feature Adaptation Of Alice LaPlante's 'Turn Of Mind' – Cannes", "Michelle Pfeiffer To Star As Betty Ford In 'The First Lady', Susanne Bier To Direct Showtime Anthology Series", "Michelle Pfeiffer Reveals Why She 'Disappeared' from Hollywood", "The 10 Essential Roles of Michelle Pfeiffer", "When It Comes to Acting, Michelle Pfeiffer Would Prefer Not To", "The Stacks: Why It's So Hard to Be Michelle Pfeiffer", "Pfeiffer and Clooney get close – The real life of Michelle Pfeiffer", "Is Where Is Kyra? The Witches of Eastwick Theatrical release poster Directed byGeorge Miller Produced by Neil Canton Peter Guber Jon Peters Screenplay byMichael Cristofer Based onThe Witches of Eastwick … [206] In 2020, the Kenosha News voted Pfeiffer America's 26th favorite actress. [111][112] Although reviews for the film were mixed, THV11 said on the cast's portrayals: "The core actors of The Family were really solid, and the whole film comes together to make a solid movie. May 24, 2012 - Photo of Michelle Pfeiffer in The Witches of Eastwick for fans of Michelle Pfeiffer 15011967 And I love it. [120][121] In the independent drama Where Is Kyra?, she starred as a sensitive and fragile woman who loses her mother and "faces a crisis in which she must find a means for survival, all the while hiding her struggles from her new lover". So I've always had this feeling that one day they're going to find out that I'm really a fraud, that I really don't know what I'm doing. [127], Pfeiffer landed the role of Ruth Madoff for the HBO Films drama The Wizard of Lies, based on the book of the same name. [201] Often compared to actress Julia Roberts,[202][203] critics generally conceded that Pfeiffer is "a more serious but less commercially branded actress than Roberts". Imaging a young Pfeiffer in the role—she was not yet thirty years old at the time—is also a stretch, yet somehow, against all odds, she makes us believe. It was originally intended to star Pfeiffer, who later changed her mind as she was looking to work less for a while. During her career, Pfeiffer has won numerous awards including the Golden Globe Award for Best Actress - Motion Picture Drama, the BAFTA Award for Best Actress in a Supporting Role, and Best Actress awards from the National Board of Review, the National Society of Film Critics, the New York Film Critics Circle, the Chicago Film Critics Association and the Los Angeles Film Critics Association, as well as Best Supporting Actress awards from the Kansas City Film Critics Circle and the San Diego Film Critics Society. The film was called Original Sin (2001). After taking a five-year hiatus from acting in 2002, she returned in 2007 with the films Hairspray and Stardust. They met when Pfeiffer was starring in the New York Shakespeare Festival production of Twelfth Night, in which Stevens played the role of Sir Andrew Aguecheek. The shirt do, This month marks sixty-five years since one of the most iconic moments in twentieth-century popular culture: Marilyn Monroe’s angelic white dress being blown sky high by wind rushing up from a subway grate beneath her feet in the film The Seven Year Itch . That time was 1987 and the film was The Witches Of Eastwick.. Based on John Updike’s 1984 novel and directed by George Miller, this piece of 80’s nostalgia is thirty years old this month. For the role of Angela de Marco, she donned a curly brunette wig and a Brooklyn accent,[5] and received her first Golden Globe Award nomination as Best Actress in a Motion Picture Musical or Comedy, beginning a six-year streak of consecutive Best Actress nominations at the Golden Globes. Pfeiffer's performance as Susie is considered to be the most critically acclaimed of her career.[39][40]. Pfeiffer played an aging socialite with Johnny Depp, Penélope Cruz, and Judi Dench. We can blither on some more about how great she is in it. She dances! After a short stint training to be a court stenographer, she decided upon an acting career. Sukie certainly is one of Michelle's most adorably lovable characters. [174] The Daily Beast's Elizabeth Kaye recognized Pfeiffer as a rare Hollywood talent who trusts that it is indeed possible to be both physically attractive and a serious performer, believing the actress achieves this by combining "the sensibility of a modern woman" with "the glamour of a '30s icon". "[76] Meanwhile, SF Gate observed: "In one scene, she breaks down in tears as she unburdens herself to him about her miserable life. He said, "She comes back to her apartment after being thrown out the window by Christopher Walken and she goes mental. Some actors slide in and out of our periphery, costarring in one film or series after another, each of which briefly crossed our radars at some point. [145] Mick LaSalle, writing for the San Francisco Chronicle, identified Pfeiffer as the film's "most interesting bit of casting", crediting her performance with reminding audiences that she is one of today's best film actresses and "help[ing] Branagh make the case for his remake over the original". This is simply an excuse to come clean about something I've kept buried deep inside for over two decades now: I had a secret crush on The Nanny herself, Fran Drescher. [118] She has commented that she feels that her best performance is "still in her", and that she thinks that's what keeps her going. "[169] Pfeiffer has said she sometimes feels fraudulent as an actress due to her lack of conventional training, explaining, "I was just getting by and learning in front of the world. That dress! Superman III hit theaters June 17, 1983. "[10], Director Brian De Palma, having seen Grease 2, refused to audition Pfeiffer for Scarface (1983), but relented at the insistence of Martin Bregman, the film's producer. [168] Pfeiffer herself has admitted to being particularly skilled in this area but also believes disguising one's feelings is not uncommon, speculating, "We may not be as mannered or as proper as people were in the 19th century, but very rarely are we talking about what we're really thinking. In cricketing parlance, this is referred to as a "five for", a near-homophone for "Pfeiffer", which resulted in the nickname "Michelle". Her performance won her widespread acclaim; Hal Hinson of The Washington Post saw Pfeiffer's role as "the least obvious and the most difficult. [161] Peter Debruge of Variety remarked that she gave a performance "for which she'll be remembered. Pfeiffer has since been a big name in show business! Nobody wanted to hire her. [72] She then accepted the role of Rita Harrison, a highly strung lawyer helping a father with a developmental disability, in the drama I Am Sam (2001), with Sean Penn. I'm not slighting Margot Robbie, though. Since all of them lack a man in their lives, and are dissatisfied with the ones who are in town, they wish for a handsome … She was cast as cocaine-addicted trophy wife Elvira Hancock. [202] However, Karney felt the declining quality of her films towards the end of the 1990s "emphasize that the course of Pfeiffer's career ... has been dictated by the era from which she sprang" and "unassailable truth that the great female movie star of the Golden Age is no more. is close to Black Swan 'in spirit, "Sundance 2017: Robert Redford, New Rashida Jones Netflix Series, 'Rebel In The Rye' & More On Premiere, Docu, Midnight & Kids Slates", "Michelle Pfeiffer Is Stunning in Where Is Kyra? It's just that, as we all know, there is only one Michelle Pfeiffer. [102] Roger Ebert in the Chicago Sun-Times wrote that it was "fascinating to observe how Pfeiffer controls her face and voice during times of painful hurt". [176] Pfeiffer has said she prefers dramatic over comedic roles, citing the latter as more challenging "because you have the added pressure to be funny as well as being real ... I’m only ever as funny as the writing is — and sometimes not even that funny. No. [80] Following the release of the film, she took a four-year hiatus from acting, during which she remained largely out of the public eye to devote time to her husband and children. I know it's not true, but when I recollect those years I swear every older girl looked like either Benatar, Juice Newton, or Joan Jett. They helped her to cease drinking, smoking, and doing drugs, and over time the couple took control of her entire life. Pfeiffer handed her producing partner Guinzburg one final film to produce under the Via Rosa Productions header. [22] Pfeiffer received positive reviews for her supporting turn; Richard Corliss of Time Magazine wrote, "most of the large cast is fine: Michelle Pfeiffer is better ..."[23] while Dominick Dunne, in an article for Vanity Fair titled "Blonde Ambition", wrote, "[s]he is on the verge of stardom. When a friend tweeted recently that the first season of the criminally underrated 1980 sitcom It's a Living, about waitresses at the Above the Top restaurant located atop a swanky Los Angeles hotel, had appeared on Amazon Prime, I literally shouted out loud with joy. She also ventured into blockbuster franchises, debuting in the Marvel Cinematic Universe as Janet van Dyne in Ant-Man and the Wasp (2018) and a conniving queen in Maleficent: Mistress of Evil (2019), before earning acclaim and a Golden Globe nomination for starring in French Exit (2020). Pfeiffer took on the role of a murderous artist, named Ingrid Magnussen, in the drama White Oleander (2002), with Alison Lohman (in her film début), Renée Zellweger and Robin Wright. by Anonymous: reply 5: 06/25/2011: She also has a herpes in The Witches of Eastwick, but I think that was makeup. The film premiered at the Sundance Film Festival on January 23, 2017, and received a limited release on April 6, 2018,[122] to critical acclaim;[123][124][125] Her role as Kyra was dubbed the "performance of her life" by Village Voice's Bilge Ebiri,[126] and "the performance of her career", by Rolling Stone. From The Love Boat to Fantasy Island to Silk Stalkings , she, Looking back at the movies, music, television, and other pop culture mainstays of this Gen-Xer's gloriously misspent youth. Disillusioned with being typecast based on her physical appearance, she actively sought more serious material until landing her breakthrough role as gangster moll Elvira Hancock in Scarface (1983). [139] Similarly, Town & Country's Adam Rathe wrote "Pfeiffer’s undeniable beauty helped get her through Hollywood’s door, but it was the intelligence and humor she brought to her carefully chosen roles ... that really made her a star. While the film was panned by critics, it made US$142 million worldwide. Michelle Marie Pfeiffer (/ˈfaɪfər/; born April 29, 1958) is an American actress. Because I was a rabid eight year old fan of the first two movies in the franchise—both of which remain all-time favorites as well as two of the best superhero movies ever made—I walked into this one expecting more of the same brilliance. "Michelle Pfeiffer Gives the Performance of Her Life in "Where Is Kyra? Her porcelain-skinned beauty, in this regard, is a great asset, and the way it's used makes it seem an aspect of her spirituality. Мишель Пфайффер. [89] Although she had fun with the part, Pfeiffer described Velma as the most difficult role she had played at the time due to her character's racism, but was drawn to the film's important message anti-bigotry, accepting that "in order to do a movie about racism, somebody has got to be the racist and it's me!". Known for pursuing eclectic roles in a wide range of film genres, she has consistently received acclaim for her versatile performances. [10] She worked as a check-out girl at Vons supermarket, and attended Golden West College[11] where she was a member of Alpha Delta Pi sorority. [54], In Martin Scorsese's period drama The Age of Innocence (1993), a film adaptation of Edith Wharton's 1920 novel, Pfeiffer starred with Daniel Day-Lewis and Winona Ryder, portraying a Countess in upper-class New York City in the 1870s. For her efforts, she was rewarded with a Golden Globe nomination for Best Performance by an Actress in a Motion Picture – Drama. [79] She earned Best Supporting Actress Awards from the San Diego Film Critics Society and the Kansas City Film Critics Circle, as well as a Screen Actors Guild Award nomination. [97] Reviews for I Could Never Be Your Woman were moderately positive,[98] with critic James Berardinelli finding Pfeiffer and Rudd to "have adequate chemistry to pull off the romance" in what he described as an "enjoyable romantic comedy that has enough going for it to make it worth a recommendation". [56], Following the formation of her producing company in 1990, Pfeiffer saw a growing professional expansion as a producer. Even all these years later, it was deserving of an Academy Award nomination for the the! ] According to Encyclopædia Britannica, the film grossed US $ 142 million worldwide changed her mind as was... 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