When blended together, they inform his 2018 commercial debut, Illusions and his brand of danceable, electronica, high bpm hip-house. None of what was mentioned above worked (bloom, HDR, file swapping). “Glitch,” and the album’s title track is a gleaming dance workout bound to Earth by Duendita’s swelling voice and Pink Siifu’s focused raps, respectively. It is located inside Dunbarrow Cove after having been sealed in when a cliff collapsed above it during a confrontation between the remnant Red Sabre pirates in the Black Flag and the first Count of Anvil, Commodore Fasil Umbranox, with the Imperial Navy under his command. Siifu has been rapping prolifically under a host of alias for years, but turned to audio guerrilla warfare on his new NEGRO. How did your relationship lead to you releasing this album through the imprint? MIKE) 04 – The Band (feat. I appreciate bruh. The melange of sounds and textures across OBLIVION lurch and morph in unexpected ways. I like getting straight to the point.” Do you still prefer this approach? That’s the only way I can maneuver through this. “Oblivion” finds him rapping again, this time over an instrumental without gravity: its synthed-out percussion strikes carry inertia into the distance while Siifu delivers in attack mode. I’ve never wanted to be tied down to one thing like, “I have to make this.” I was an only child, so I had to experiment with myself, and that was the foundation. Last edited by Erei; Oct 3, 2016 @ 1:54pm There's an almost meta sensory experience with the track's bright, elastic beat and left field vocals. Read Full Article I wanted to present music to people in a way that proves you can do whatever you want. How do you feel your sound fits into a modern music scene where genre-blending has become the norm? Shop at our store and also enjoy the best in daily editorial content. In a more thematic sense, “33,” the penultimate cut, is the yin to “Sorry’s” yang, balancing out the latter’s black hole of emptiness with bright, overexposed chords that feel like considering new possibilities. Mo(u)rning Lyrics: Same time, hurdling what I had to / I learned to adapt, way better than I could plan / She was eager to leave, but it ain't me with my eyes damp / Feet stampeding through mine There’s not a point where I did anything because of any outside reason other than them being people I respect musically [and] in real life. Oblivion is out August 14 via Tan Cressida. We sat down for BBQ with the trio before the release of their highly-anticipated new album. We speak with Marlowe, comprised of producer L’Orange and rapper Solemn Brigham, about their new album and career journey. Earl Sweatshirt) 06 – George’s Baby (feat. Elsewhere, on “Mutha Magick,” Tennessee rapper Bbymutha raps confidently over a beat that sounds like a computer virus having a manic episode. It’s not tied down to any one genre, and it’s not a new concept to make this “extreme” or whatever. Edit : nevermind, I was an idiot, typed 02 instead of 002 in the file name. I just like raw shit. Black Noi$e: I really fucked with the beats when I was younger. Everything changes so quickly now. Black Noi$e just dropped his new project ‘Oblivion’ via Earl Sweatshirt’s Tan Cressida record label, and it’s just as hard hitting as fans have come to expect. That’s another reason I started DJing. Tracks like “Dragon Dance,” “Tight Leash,” and “The Band” are elevated and pristine but carry something deeply compromising; sometimes eerie. DJBooth: You grew up listening to rap and hardcore. It’s indicative of a quote from your interview with The Hundreds: “I like raw beats, I don’t like all the flash. Black Noi$e just came through with his new project "Oblivion" which features production that sounds out of this world. "Sorry" is also the only cut to feature co-producer as Raphy assists in crafting what feels like listening to an ego death. I’m glad I had the opportunity. Mach-Hommy, Jay Versace, Black Noi$e, & Ovrkast. Your sound isn’t very indulgent. While putting [OBLIVION] together, I felt like I could present it to bro in a certain way and just roll with it. The tracks are the only two instrumentals on the project and bring it full circle, coming as the second and second to last tracks. Maybe the most surprising verse comes from one of the project’s biggest names. Boasts such as, “I'm nice as fuck, I'm nice as shit, waist is tiny, ass is thick. In that sense, OBLIVION reminds me of the most hectic summer barbecue ever. When I first started, I was trying to figure out what other people were doing and how they were doing it, too. Unfortunately, the feeling responsible for jumpstarting Black Noi$e’s omnivorous production style isn’t easily achievable in 2020. There is a real feeling of treading carefully over a hostile environment in this pair. It was infectious, and like them beats from before, it sounded new to me and intrigued me. OBLIVION is a mini-festival for the end of the world. The coronavirus continues to stall the live music scene indefinitely—at least in the United States—by relegating concerts to live streams and chat rooms. “I’m not putting effort into making things different. [The pandemic] made me want to tie everything together and make a cohesive story out of the album, even though it’s all different artists. A Black Horse is the fastest non-unique horse available in The Elder Scrolls IV: Oblivion. Westside Gunn is ready for his respect. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Detroit producer Black Noi$e releases his new project, Oblivion, via Earl Sweatshirt's Tan Cressida imprint. Buffering. It’s definitely no big frills on [OBLIVION]. Detroit's Danny Brown is followed by another Motor City connection in, Despite the sense of emptiness often explored on, Jackson Whalan teams up with KRS-One "From the Woods [Remix]", Morray delivers debut project "Street Sermons" plus visual, Cam Wallace releases powerful track "We Made It", Worry Club shines in their chic new video for, "Money", Album Review: Armand Hammer & The Alchemist— Haram, Album Review: Genesis Owusu—Smiling With No Teeth, Album Review: Dreamer Boy—All The Ways We Are Together, Morrissey reacts with theatrical outrage after The Simpsons depicts him as a fat racist, EDC Las Vegas postpones May comeback to October following Clarke County ruling. The trickling, descending piano keys play over lyrics like, "I'll be honest, saw the arms reachin' out for me / As we passed through the land / The big yellow band.” There is a real feeling of treading carefully over a hostile environment in this pair. Maybe the best instrumental on the album, “Glitch” featuring duendita is something like an alien’s hip-hop interpretation of the Oompa Loompa’s warnings to Charlie and the rest of the chocolate factory children. OBLIVION came from that and being where we’re all at now. Some great production on here and some solid features, falls short on some tracks though. OBLIVION. Maybe the most intimate segment comes halfway through the project beginning with Earl’s verse in Mo(u)rning. It’s like my DJ sets, too. I couldn’t find this nowhere else; that sense of everyone being in the same place for the same reason.” These relationships in addition to his experience producing for Zelooperz and recruiting musicians tangentially related to Sweatshirt makes up a process similar to the album’s series of launch videos--each track switching from chamber to chamber, artist to artist and exploring unique territories, but within the confines of Black Noi$e's 'spaceship.'. 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